从青铜“十二呼唤”到蜡画系列 W｜A｜X ( World｜Ancient｜X - future )

青铜雕塑系列作品《十二呼唤 / XII Calls》的诞生地是在法国吉美博物馆的藏书阁。代表人类美好品质的十二神兽低语、呼唤。代表着人类智慧的神像和佛像围坐一圈，它们亦沉默亦回应。十二位神兽所象征的，是人类共同的精神信仰：和平、勇敢、平等、自然、探索、博爱、善良、自由、本真、智慧、时间、共融。此次，蒋琼耳在时间的双向性中再度唤醒这一主题，以全新的彩色蜡画形式呈现作品。这是既是她在文化理想上的一次郑重表达，也是对新材料的勇敢探索。蜡，这种独特的媒介，可塑、可融、可燃，可以为液体，亦可为固体，并且在时间中保持可逆的状态。借由这种能够与时间抗衡的材质，蒋琼耳凝固下了献给未来文明的讯息，使《十二呼唤 / XII Calls》不仅成为探索当下人类心灵的重要线索，也成为她创作旅程中一个新的起点。

The bronze sculpture series XII Calls was born in the Bibliotheque (Library) of the Musée Guimet in France. The twelve mythical beasts, embodying the noble virtues of humanity, whisper and call out. Surrounding them in a circle are statues of gods and Buddhas that stand for human wisdom, remaining silent yet responsive all the while.The twelve mythical beasts symbolize the shared spiritual beliefs of humanity: peace, courage, equality, nature, exploration, universal fraternity, kindness, freedom, authenticity, wisdom, time, and inclusiveness. On this occasion, Jiang Qiong Er reawakens this theme through the duality of time, presenting the works in an entirely new form of colored encaustic paintings. This is not only a solemn expression of her cultural ideals, but also a bold exploration of new artistic materials.Wax, as a distinctive medium, is moldable, meltable and flammable—it can exist either as a liquid or a solid, and maintains a reversible state over time. By employing this material that can stand up to the passage of time, Jiang Qiong Er freezes the messages dedicated to future civilizations, making XII Calls not only a vital clue to exploring the current human psyche, but also a new starting point in her creative journey.

从“新女书 / Her Voice AI”到“新女书 / Her Voice – 秘密宝盒”系列

在《新女书 / Her Voice》系列作品中，蒋琼耳从湖南江永的古老女书出发，运用当代科技，将传统女书、甲骨文、篆书、草书等文字加以融合重组与再造，形态创造出属于二十一世纪的时代女书——一种凝聚女性精神与科技智慧的当代文字体系。这套新女书文字不再仅是符号或语言系统的载体，而是通过立体雕刻与材质的对比，在三维空间中“呼吸”，新女书的起伏肌理与光影交织，展现出女性特有的真诚、坦荡与勇敢。这一系列作品让“语言”从书写走向“存在”，让“呼唤”从纸页跃入空间，书写属于当代女性的精神诗篇，记录她们的述说与秘密。

In the Her Voice series, Jiang Qiong'er draws inspiration from the ancient Nüshu script of Jiangyong County in Hunan Province. Leveraging contemporary technologies, she integrates, reorganizes and recreates traditional writing systems including Nüshu, Oracle Bone Script, Seal Script and Cursive Script, thereby developing a new form of Nüshu for the 21st century—a contemporary writing system that embodies the essence of female spirit and technological ingenuity.
No longer merely a carrier of symbols or a linguistic system, this new Nüshu "breathes" in three-dimensional space through the interplay of three-dimensional carving and contrasting materials. The undulating textures of the new Nüshu intertwine with light and shadow, reflecting the unique sincerity, forthrightness and courage of women. This series transforms "language" from a written form into a tangible "existence", and elevates "calls" from the pages of books into physical space, composing a spiritual ode to contemporary women and documenting their stories and secrets.

《栖云 / Whispering Clouds》竹刻系列

—— 以竹丝镶嵌为艺，以光与呼吸为时间的书写，呈现自然与心灵的律动

—— Crafted with bamboo filament inlay, it writes the story of time through light and breath, embodying the rhythms of nature and the soul.

《栖云 / Whispering Clouds》系列延续了东方的静观之美。作品以中国传统竹丝镶嵌工艺为核心，将极细的竹丝经由手工切割与拼嵌，在光影交错之间，织就如云般流动的纹理。从屏风、案几、桌屏到收纳盒，《栖云 / Whispering Clouds》不仅是一组器物的集合，更是一场关于时间的仪式。在竹与光的交织中，每一件作品都化为与光影共呼吸的时间容器，映照出工艺的温度与心灵的回响。

The Whispering Clouds series carries forward the meditative beauty of the East. Centered on China’s traditional bamboo filament inlay craftsmanship, the works feature ultra-fine bamboo strips that are manually cut and inlaid to form cloud-like flowing textures as light and shadow interplay.Ranging from folding screens, table desks and table screens to storage boxes, Whispering Clouds is more than just a collection of artifacts—it is a ritual dedicated to time. In the interplay of bamboo and light, each piece is transformed into a vessel of time that "breathes" in harmony with light and shadow, reflecting the warmth of artisanal craftsmanship and the resonance of the soul.